2005
Reoccurring concerns in the work relate to the depth, texture, speed and shape of the lines that compose an abstract space. Even the works on paper are made built up in
layers of lines that intertwine and interact.
| Dana Brintz | ||
| Works and Lives in London. | ||
|
|
||
|
Nightstump. Epoxy resin, enamel, silicon rubber.
45 x 44 x 3cm. 2005 |
||
|
|
||
| Autonomic Drift. Epoxy resin, enamel, archival ink, silicon rubber, steel. 60 x 90 x 5cm. 2005 | ||
|
The imagery is created by
drawing within and between layers of resin poured into a mould
of steel frame. Lines are executed intuitively using various
techniques and materials. Lines are drawn by hand, flung from
the end of a stick, poured from a vessel at varying heights or
squeezed from a syringe. Small pools of resin are spilled across
the surface and ooze into shapes that cast shadows on layers
beneath. The methods employed all uphold the sense of immediacy,
intrinsic to the drawing medium. Reoccurring concerns in the work relate to the depth, texture, speed and shape of the lines that compose an abstract space. Even the works on paper are made built up in layers of lines that intertwine and interact. |
||
| HOME | ||